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I/O is plentiful, as the Fireface UC boasts two mic pres, ADAT, and S/PDIF, for a total of 18 input/output channels plus MIDI I/O. Latency is nearly non-existent on both Mac OS X and Windows Vista with the Fireface UC.
RME Fireface UC 24-bit/192kHz USB Audio Interface at a Glance:
18-in/18-out interface
Cross-platform performance
Built on RME's stellar legacy
TotalMix integrated DSP mixer
Analog I/O
Preamps
Digital I/O
Cross-platform performance
The Fireface UC works on both the Windows and Mac operating systems. In fact, the compact Fireface UC has been uncompromisingly optimized for highest performance under either platform. Based on a newly developed RME Hammerfall core the Fireface UC provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver. Under both Operating Systems the available latencies are incredible. The smallest buffer offered under Windows Vista has 48 samples, under Mac OS X 14 samples. With this RME provides a performance comparable to PCI Express interfaces — under USB 2.0.
Built on RME's stellar legacy
The Fireface UC features all of the proven RME analog and digital circuitry. It is the only device in its class with active jitter suppression, enhanced stand-alone functionality and complete controllability from the front panel, highly flexible I/Os in professional quality, and an unsurpassed 648-channel matrix router — all at sample rates of up to 192kHz.
TotalMix integrated DSP mixer
All inputs and outputs can be freely mixed, routed, and distributed with RME's TotalMix software. Up to 9 totally independent stereo submixes can be set up. Every output channel, and every submix channel can be recorded directly and without external cable loops. TotalMix can be completely MIDI remote controlled. The DSP-based hardware calculates RMS and Peak levels for all channels, without causing any significant CPU load.
Analog I/O
Eight analog inputs and outputs (all balanced, except outputs 7/8) with software controlled reference levels (-10 dBV, +4 dBu, Lo/HiGain), realized discretely in the analog domain, ensure high dynamic range and fidelity. Inputs 5 through 8 on the rear panel feature RME's proven level references, -10 dBV, +4 dBu and Lo Gain can be selected in the settings dialog, equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale. The same applies to the balanced rear analog outputs 1 to 6. The hi-power phones output offers high volumes even with low-impedance headphones.
Preamps
Preamps are arguably one of the most important links in the signal chain, and the Fireface UC boasts sensational pres. The Fireface UC features 2 balanced microphone inputs with a digitally controlled input stage, individually switchable 48V phantom power, and Neutrik Combo connectors for XLR and TRS. These can also be used as additional line inputs. A pre-amplification of up to 65 dB (adjustable in 1 dB-steps over a range of 55 dB), exceptional EIN (Equivalent Input Noise) performance even at low pre amplification settings, and extremely low THD+N let these preamps surpass many reference devices. All level settings are 100% reproducible and can also be comfortably adjusted by software. Inputs 3 and 4 are flexible universal balanced inputs. They operate exactly like inputs 5 to 8 on the rear and can be adjusted to accept standard studio input levels (+4 dBu, LoGain). The input impedance can be switched from line (10 kOhm) to instrument (470 kOhm), and offers an additional analog input amplification of up to 18 dB in steps of 0.5 dB.
Digital I/O
The inclusion of ADAT I/O provides digital connection to mixers and converters. In combination with an ADI-8 DS/QS or OctaMic II, there are up to 16 analog inputs (respectively 12 @ 96 kHz). The coaxial SPDIF I/O (up to 192 kHz) is fully AES/EBU compatible. SPDIF can also be accessed through the optical I/O. A Word Clock input and output plus two MIDI I/Os (special breakout cable included) complete the list of features and turn the Fireface UC into an entire audio system of the highest quality.
RME Fireface UC 24-bit/192kHz USB Audio Interface Features:
18-in/18-out audio interface
Sample rates up to 192 kHz on all I/Os (including 2 ADAT channels with SMUX4)
Input AD: 6 x 1/4" TRS (4 x Line, 2 x Line/Instrument), 2 x XLR/TRS Combo (2 x Mic/Line), all servo-balanced
Output DA: 6 x 1/4" TRS, servo-balanced, DC-coupled signal path. 1 x 1/4" TRS unbalanced
Input Digital: 1 x ADAT optical or SPDIF optical, SPDIF coaxial (AES/EBU compatible)
Output Digital: 1 x ADAT optical or SPDIF optical, SPDIF coaxial (AES/EBU compatible)
MIDI: 2 x MIDI I/O via breakout cable (4 x 5-pin DIN jacks), for 32 channels low-jitter high-speed MIDI
Word clock
Dynamic range AD: 110 dB RMS unweighted, 113 dBA
THD AD: < -100 dB (< 0.001 %)
THD+N AD: < -98 dB (< 0.0012 %)
Crosstalk AD: > 110 dB
Dynamic range DA: 110 dB RMS unweighted, 113 dBA (unmuted)
THD DA: -100 dB (0.001 %)
THD+N DA: -96 dB (0.0015 %)
Crosstalk DA: > 110 dB
Input/Output level for 0 dBFS @ Hi Gain: +19 dBu
Input/Output level for 0 dBFS @ +4 dBu: +13 dBu
Input/Output level for 0 dBFS @ -10 dBV: +2 dBV
Sample rate internally: 32, 44.1, 48, 64, 88.2 kHz, 96 kHz, 128, 176.4, 192 kHz
Sample rate externally: 28 kHz — 200 kHz
Frequency response AD/DA, -0.1 dB: 5 Hz — 20.4 kHz (sf 44.1 kHz)
Frequency response AD/DA, -0.5 dB: 1 Hz — 43.3 kHz (sf 96 kHz)
Frequency response AD/DA, -1 dB: 1 Hz — 80 kHz (sf 192 kHz)
SteadyClock for maximum jitter suppression and clock refresh
TotalMix: 648-channel mixer with 42-bit internal resolution
Driver support, Windows: Windows XP (from SP2), Vista, Vista 64, 7: Full ASIO multi-client operation of WDM and ASIO 2.0. WDM (DirectSound) with stereo and multi-Channel support
Driver Support, Mac: Mac OS X (10.5 or higher) Intel: Core Audio, Core MIDI |
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